I definitely learned using the BMT7 (knife fires) and I still use them. While in Art school at Alfred, I never touched the crossfire, using only the ribbon burner and hand torch. Bryan Riehl made sure that I learned to use those knife fires when he hired me as an apprentice. It took time, but eventually I could double back 15mm border tubes with them.
Knife fires are my favorite crossfires to this day- and are what I have on my torches at work. Urbanglass (where I usually teach these days) has a knife fire setup for each student (about 10 of em). I feel like they give the best of both worlds. In terms of "painting the heat onto the glass", you can turn up the gas a little and get a 2 inch chip brush for big heats, and then dial the gas back for fine point detail brush for welds or tight heats.
I like a really hot flame, so I generally just give them as much air as they can take (or I can get out of the blower) and then leave the air setting alone from there. Economizer "puffy flame" from the ribbon burner takes care of my preheats.
I have used some super precise 5 pointers before. FOCI had a 5 pointer that was nice an hot. I liked using a 7 pointer at Alleson's studio once in Seattle. Those round cannon head crossfires are a little bushy for my welding taste, but gosh the heat area is huge- if I only had those when learning to make the 15mm doublebacks... I wouldn't have learned as much- but I would have gotten it quicker :)